Matthew's Church, created between 2013 and 2022, is dedicated to the question of the possibilities and impossibilities of an artistic approach to the Holocaust and its representability by artistic means. Contact information for the relevant contact person Where can I find additional information about accessibility in Berlin?

Those images are classified into three categories: “history,” “intellectual development,” and “technical development. Und auf jeder Stufe gelingt ihm je und je das Wunder, wird seine zarte, zweifelnde, der Sorge bedürftige Person entrückt und wird durchtönt von der Musik der Welt, wird wie die Brunnenschale Instrument und Ohr zugleich. Darboven inserts herself into her investigations of historical time not only through the photographic documentations of her studio, but also through the green postcards that back them, which bear the stamp of her studio home, Am Burgberg.Matthew's Church, which - like the quarter as a whole - fell victim to the National Socialists and was "painted over" by the Kulturforum. In a direct confrontation with Gerhard Richter's "Birkenau" cycle, which has been on display in the neighboring Neue Nationalgalerie since April 1, 2023, the German-British artist Michael Müller (b. They present alternative forms of artistic engagement with the Holocaust, refraining from a definitive, final answer, but creating a space of openness that allows and facilitates a discussion that must be constantly conducted and continually updated. It seems, pace Marx, as if our historical being does not merely deter-mine our lives as social entities, but also reaches into the most private corners of our consciousness and determines also the imaginative power and ludic drive of literature.

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Note -The figure in this image was derived from a painting by Honore Daumier, 'The Print Collector', circa 1857-63, housed in the Art Institute of Chicago. In a 16-part work, German-British artist Michael Müller interrogates Richter's oeuvre, uncovering its layers and revealing mechanisms that, when examined and analyzed closely, leave room for discussion.

This presentation of Fin de Siècle - Buch der Bilder (1992–93) marks the centennial of the work’s earliest invocation of time—the 1923 edition of Austrian poet Rainer Rilke’s Buch der Bilder (1902), which not only figures in the red arabesque pattern replicated from its cover throughout the exhibition’s vitrines, but also in Darboven’s chosen title and structure for the work. These lectures consciously take account of, and reflect, the breaks and discontinuities of German history. Some terminology that may be used in this description includes: Jacket Sometimes used as another term for dust jacket, a protective and often decorative wrapper, usually made of paper which wraps. Does this text contain inaccurate information or language that you feel we should improve or change? This one work exhibition captures Darboven’s life-long interest in weaving together computational procedure, historical and cultural artefact, and autobiographical documentation to generate a visual system that explores the disconnect between subjective and objective perceptions of time.Nora Schmidt succeeds in tracing the development of the Joseph figure in depth psychology and thus reconstructing the narrative dynamics of the biblical and Koranic versions of the Joseph story. Mai 2019 Mit Beitragen von Benjamin Fellmann, Sven Haase, Doris Kachel, Gabriel Montua, Antonio Rogus und Janna Stolte Wie wird ein Kunstwerk popular? The painter, sculptor and photographer Gerhard Richter has donated 100 of his works of art to the National Gallery in Berlin.