Gone with the Wind and its production have been explicitly referenced, satirized, dramatized and analyzed on numerous occasions across a range of media, from contemporaneous works such as Second Fiddle—a 1939 film spoofing the "search for Scarlett"—to current television shows, such as The Simpsons. [103] [125] [126] The Scarlett O'Hara War (a 1980 television dramatization of the casting of Scarlett), [127] Moonlight and Magnolias (a 2007 play by Ron Hutchinson that dramatizes Ben Hecht's five-day re-write of the script), [128] and " Went with the Wind!" (a sketch on The Carol Burnett Show that parodied the film in the aftermath of its television debut in 1976) are among the more noteworthy examples of its enduring presence in popular culture. [17] It was also the subject of a 1988 documentary, The Making of a Legend: Gone with the Wind, detailing the film's difficult production history. [129] In 1990, the United States Postal Service issued a stamp depicting Clark Gable and Vivien Leigh embracing in a scene from the film. [130] In 2003, Leigh and Gable (as Scarlett and Rhett) were ranked number 95 on VH1's list of the "200 Greatest Pop Culture Icons of All Time". [131] Sequel [ edit ]

Top 250 tous les temps en France (Reprises incluses)". JP's Box-Office. Archived from the original on March 31, 2018 . Retrieved December 2, 2017. Clark, Kenneth R. (September 29, 1988). "TNT Rides in on 'Gone With Wind' ". Chicago Tribune. Archived from the original on May 26, 2013 . Retrieved January 29, 2013.Tapp, Tom (June 9, 2020). "HBO Max Removes 'Gone With the Wind' From Streaming Platform, Says Film Will Return With "Discussion Of Its Historical Context" ". Deadline Hollywood. Archived from the original on June 10, 2020 . Retrieved June 10, 2020.

a b c Krämer, Peter (2005). The New Hollywood: From Bonnie And Clyde To Star Wars. Short Cuts. Vol.30. Wallflower Press. p. 46. ISBN 978-1-904764-58-8.

Olson, James Stuart (2000). Historical Dictionary of the 1950s. Greenwood Publishing Group. p. 108. ISBN 978-0-313-30619-8. Wishing for her widowed daughter to cheer up (though Scarlett is sullen for the wrong reasons), Ellen suggests that she go to Atlanta to live with Melanie and her Aunt Pittypat ( Laura Hope Crews). Scarlett agrees to go, but only because it will give her the chance to see Ashley again. Mammy believes this decision is not in Scarlett's best interest and tells her so. Ridley, John (June 8, 2020). "John Ridley: Why HBO Max should remove 'Gone With the Wind' for now". Los Angeles Times. Archived from the original on June 16, 2020 . Retrieved June 10, 2020.

Disc four also includes mini-documentaries about the supporting actors in GWTW. I haven’t watched them yet so I cannot comment about the quality of these documentaries. However, I am glad that the rest of the cast was celebrated and remembered for their part in GWTW. Gómez-Galisteo, M. Carmen (2011). The Wind Is Never Gone: Sequels, Parodies and Rewritings of Gone with the Wind. McFarland & Company. p.173. ISBN 978-0-7864-5927-8.

Side guide

AFI's 100 Years...100 Movies (10th Anniversary Edition)". American Film Institute. June 20, 2007. Archived from the original on August 18, 2015 . Retrieved February 27, 2013. Gajanan, Mahita (June 12, 2020). "Gone With the Wind Should Not Be Erased, Argue Film Historians. But It Should Not Be Watched in a Vacuum". Time. Archived from the original on June 17, 2020 . Retrieved June 17, 2020.

a b "Votes for Gone with the Wind (1939)". British Film Institute. 2012. Archived from the original on February 17, 2018 . Retrieved February 16, 2018. Vivien Leigh: Scarlett and Beyond is a 1990 documentary on disc four hosted by actress Jessica Lange featuring memories and tributes from fellow actors Claire Bloom, Kim Hunter, John Gielgud and Sir Douglas Fairbanks Jr. It was lovely to hear their thoughts and feeling towards Vivien as they all admired her deeply. This documentary was more of a biographical documentary than Gable: Remembered but is nonetheless a tribute equal to the beauty and charm of Vivien Leigh herself. Corso, Regina A. (February 21, 2008). "Frankly My Dear, The Force is With Them as Gone With the Wind and Star Wars are the Top Two All Time Favorite Movies" (PDF) (Press release). Harris Interactive. Archived from the original (PDF) on June 14, 2013 . Retrieved July 9, 2017. One day, Scarlett comes across Rhett Butler, who is now free and very wealthy. He laughs, saying that she could have married him and become rich if she had waited. She brushes him off and leaves alone for the sawmill. Rhett points out that the shantytown on the way to the sawmill is full of dangerous criminals and Army deserters but Scarlett shows him that she carries the pistol he'd given her during the war. Months pass and the war enters its final stages. Union General William T. Sherman marches his Northern armies through Georgia in his so-called 'March to the Sea', leaving a wide swath of destruction in his path. Scarlett and her sisters have been forced to make the best of things, performing manual labor themselves to keep Tara running and in repair. Melanie remains weakened from childbirth, spending most of her time in bed. At a moment when Scarlett is scolding her for getting out of bed again, wishing to help, a renegade Union soldier ( Paul Hurst) enters the home. He claims that he's simply looking for valuables to move on with but, when he threatens Scarlett, she takes the gun that Rhett gave her and shoots him in the face. The Union soldier falls dead down the staircase. Melanie is a witness, having crawled out of bed with Ashley's saber. She promises not to tell the others what happened while Scarlett searches the soldier, finding legitimate cash and other valuables. They dispose of the body and explain to Scarlett's father and sisters that her gun had accidentally discharged. Scarlett uses Melanie's nightgown to wrap the dead soldier's bloody head up and drags the body off, planning to bury it in the orchard.

The film's record of eight competitive wins stood until Gigi (1958) won nine, and its overall record of ten was broken by Ben-Hur (1959) which won eleven. [56] Gone with the Wind also held the record for most nominations until All About Eve (1950) secured fourteen. [8] It was the longest American sound film made up to that point, and may still hold the record of the longest Best Picture winner depending on how it is interpreted. [57] The running time for Gone with the Wind is just under 221minutes, while Lawrence of Arabia (1962) runs for just over 222minutes; however, including the overture, intermission, entr'acte, and exit music, Gone with the Wind lasts for 234minutes (although some sources put its full length at 238minutes) while Lawrence of Arabia comes in slightly shorter at 232minutes with its additional components. [58] [59]