Above left: Leica 10-25mm at 10mm f11. Above right: Leica 8-18mm at 10mm f11. 100% crops from corner Offences not covered by other codes (including offences relating to breach of requirements as to control of vehicle) Aptamer-based colorimetric detection of the DNA damage marker 8-oxo-dG using cysteamine-stabilised gold nanoparticles If you’re a stills photographer, it remains very attractive, but is up against some tough alternatives. Wide-angle fanatics will prefer the Leica DG 8-18mm with its wider coverage, much smaller barrel, narrower filter thread and far lower price. The 8-18mm also suffered from less field curvature than the 10-25mm in my tests and I also have to mention the high price which may initially seem justified for the spec, but is actually roughly similar to a full-frame 16-35mm f2.8 lens, not to mention double that of Sigma’s 18-35mm f1.8 ART for APSC bodies, a model that’s arguably closest in spec. Codes CD80 and CD90 must stay on a driving record for 4 years from the date of the conviction. Code

Above: So let’s start with the Olympus 8-25mm at 8mm, and taking a closer look in the middle, where I focused this image, shows the lens behaving well as you’d hope at its maximum aperture, and closing it down shows no benefit. Causing or likely to cause danger by reason of use of unsuitable vehicle or using a vehicle with parts or accessories (excluding brakes, steering or tyres) in a dangerous condition Compared to old analogue intercoms, the DG-10's digital technology can rapidly separate the crucial sound of the co-driver's voice from the distracting engine, transmission, and road surface noises in a matter of milliseconds.

The Stilo DG-10 is a groundbreaking digital intercom system that offers unparalleled noise cancelling capabilities, which is why it is the preferred choice of almost all factory teams in the WRC.

The table shows the offence codes that can be put on your driving record. It also shows how many penalty points you can get for them. Some offences may also involve a disqualification.The 20-50mm equivalent range isn’t replicated anywhere else, taking you from very wide to standard coverage and making it a surprisingly versatile walk-around lens. The minimum focusing distance allows it to grab useful close-ups, but it’s the constant f1.7 focal ratio that makes it really special. The format has meant earlier f2.8 zooms just haven’t delivered the kind of shallow depth-of-field effects that many desire, but there’ll be few complaints at f1.7, which coupled with the attractive rendering and crisp results means it could easily replace a bunch of primes in your bag.